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The greatest compliment one can pay November's Doom is that, upon hearing their eclectic and expressive fourth album, To Welcome the Fade, one immediately starts looking — rather fruitlessly — for possible comparisons. Swedish progressive death metal geniuses Opeth eventually come to mind thanks to the tense marriage of beauty and brutality present on "Not the Strong" and "The Spirit Seed"; but so do British death/doom pioneers like Paradise Lost and My Dying Bride (witness the gothic despair conjured by "Within My
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